Friday, October 8, 2010

October

Every rigid line, every shimmering crease in a foul double bed
and the aches in the muscles of our legs when the sun rises
like your round, golden hands in a classroom scorching with light
when you say perfect words you’re too stupid to know
The way you say “good-night” and that’s it--
Two words, maybe one 
(something you could say in a breath)

And we dreamed in our locked-up skulls,
looking out for the narcoleptic Freud on the other side
who pervaded our subconsciouses with images of each other
A nervous old man with spectacles and a crooked laugh,
who made note of the orange-scented empty weight of our stolen glances

And the plane made it to the holy land with too much turbulence,
The way the seasons changed that year,
a humid summer melted our faces, then morphed
into a chilling fall with an interlude of soppy rain
But we made it and we clutched the rocks in our hot palms
and looked around, so afraid of people seeing our bones,

So afraid the natives would see us counting our demons on our fingers,
Shifting to the side when we got in each other’s way

and Michael told me he was the most alone person in the universe

3 comments:

  1. you refer to these bones often, like here 'so afraid of people seeing our bones',

    what are these?

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  2. i use the image pretty literally; they're just bones. however, there is a deeper meaning of people being able to really see into you/who you are to the core of your being. i don't believe it's possible to ever really know a person, but i feel like it's a really human trait to want to protect one's true nature. i don't know if that explains it or just contradicts itself somehow, but that's sort of how i think of it.

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